In connection with the last of those stories will be consideration of why Capa did not photograph the liberation of the Nazi concentration camps, together with the revelation of his photographs from Auschwitz and Birkenau in 1948. A chapter will be devoted to each of the reportages, with extensive historical and biographical text from Richard Whelan’s thorough revision and enlargement of his definitive biography of Capa, first published in 1985. Each section will be profusely illustrated by largely unseen original materials such as vintage prints, contact sheets, caption sheets, letters, and magazine layouts, all drawn from the vast Robert Capa Archive at the International Center of Photography. The book’s introduction will be a major essay by Whelan about Capa and the rise of the picture press in Europe and America.